Active Filters:
Composition: Ensemble
Play Time: > 3:20
Clear All Filters

Uploaders

BSG
J. S. Bach: Stirb in mir (BWV 169 #5)
BSG
5:54 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cto Bass 30 0 12 2 100%
Viola 22 0 8 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cto Bass 30 0 12 2 100%
Viola 22 0 8 4 100%
Violin
1		 Treble 18 0 5 5 100%
Violin
2		 Treble 21 0 9 4 100%
Alto Treble 20 0 8 6 60%
Organ Treble 26 0 9 6 60%
 
J.D. Zelenka: Lamentatio I (complete, from ZWV 53)
BSG
16:22 Est. Play
Time
150 Measures
1,706Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 10 8 96%
Contrabass Bass 23 0 10 8 96%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 10 8 96%
Contrabass Bass 23 0 10 8 96%
Violin
1		 Treble 28 0 11 11 75%
Violin
2		 Treble 27 0 11 9 75%
Bass Bass 16 0 5 9 74%
Viola 23 0 7 9 59%
Oboe
1		 Treble 19 0 8 9 31%
Oboe
2		 Treble 19 0 7 8 29%
 
J.S. Bach: Gute Nacht, o Wesen (BWV 227, #9)
BSG
7:34 Est. Play
Time
106 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 16 0 5 5 100%
Soprano Treble 18 0 6 6 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 16 0 5 5 100%
Soprano Treble 18 0 6 6 99%
Treble 16 0 5 5 98%
Alto Treble 12 0 2 3 36%
 
J.S.Bach: Chorale: Zion hört die Wächter singen (BWV 140 #4), Continuo realization exercise by BSG
BSG
4:22 Est. Play
Time
75 Measures
1,889Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 21 0 7 6 100%
Realization Treble 17 66 3 4 99%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 21 0 7 6 100%
Realization Treble 17 66 3 4 99%
Continuo Bass 20 0 5 3 99%
Violoncello Bass 20 0 5 3 99%
Tenors Treble 10 0 0 6 45%
 
Praise, my Soul, the King of Heaven (Lauda Anima) (with organ accomp. and newly-composed interlude (at Hauptwerk Doesburg ) and descant!)
BSG
6:56 Est. Play
Time
133 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 29 7 4 98%
Bass 17 4 4 3 62%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 29 7 4 98%
Bass 17 4 4 3 62%
Bass 23 17 7 4 100%
Alto Treble 12 0 1 4 76%
Soprano Treble 10 0 1 2 76%
Bass Bass 17 0 4 4 57%
Tenor Treble 10 0 1 4 57%
Descant Treble 9 0 1 4 19%
 
J. S. Bach: Erbarme dich, mein Gott (Matthäuspassion, BWV 244, #39), with phrasing and proper appoggiature.
BSG
6:14 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 28 0 10 8 100%
Violoncello Bass 25 0 8 3 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 28 0 10 8 100%
Violoncello Bass 25 0 8 3 100%
Violas 22 0 8 4 98%
Violins
1		 Treble 19 0 6 7 98%
Violins
2		 Treble 22 0 9 4 98%
Alto Treble 17 0 6 7 75%
 
J.S. Bach: Wohl mir, daß ich Jesum habe (“Jesu, Joy of Man's Desiring”, BWV 147 #6)
BSG
3:40 Est. Play
Time
71 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 12 0 3 5 69%
Bass 16 0 3 6 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 12 0 3 5 69%
Bass 16 0 3 6 100%
Bass 8 0 1 3 45%
Cello Bass 16 0 3 5 100%
Violin Treble 22 0 7 3 94%
Treble 16 0 3 4 94%
Viola 13 0 2 5 94%
Alto Treble 8 0 2 3 45%
Bass Bass 14 0 1 3 45%
Soprano Treble 7 0 1 5 45%
Tenor Treble 8 0 1 3 45%
 
J. S. Bach: Ich lasse dich nicht, du segnest mich denn (BWV 157, #1)
BSG
3:22 Est. Play
Time
57 Measures
1,948Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 23 0 8 4 100%
Cto Bass 23 0 8 4 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 23 0 8 4 100%
Cto Bass 23 0 8 4 100%
Oboe Treble 21 0 7 7 96%
Violin Treble 24 0 9 8 93%
Flute Treble 21 0 8 8 91%
Bass Bass 16 0 5 7 60%
Tenor Treble 18 0 6 7 60%
FluteXEC Treble 8 0 4 1 9%
OboXec Treble 5 0 2 1 7%
 
C. Wesley: Lo! He comes, with clouds descending (Helmsley) (arr. BSG 2016)
BSG
4:55 Est. Play
Time
104 Measures
1,402Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 16 1 3 6 100%
Bass 16 0 2 6 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 16 1 3 6 100%
Bass 16 0 2 6 100%
Bass 13 6 2 6 100%
Voice Treble 10 0 0 6 75%
Bass 10 0 0 6 75%
Bass
Trombone		 Bass 16 0 2 5 25%
Descant Treble 10 0 0 5 25%
 
J.S. Bach: Kyrie II from B Minor Mass (BWV 232, #3)
BSG
4:32 Est. Play
Time
59 Measures
1,535Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cb/Cto Treble 26 57 9 6 99%
Bass 23 0 8 6 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cb/Cto Treble 26 57 9 6 99%
Bass 23 0 8 6 100%
Contrabass Bass 23 0 8 6 100%
Vcl/Cb. Bass 23 0 8 6 100%
Tenor Treble 17 0 7 6 97%
Viola 17 0 7 6 97%
Alto Treble 17 0 7 5 86%
Violin
2		 Treble 17 0 7 5 86%
Ob.
d'Am		 Treble 23 0 9 5 85%
Flute Treble 16 0 6 4 76%
Soprano Treble 16 0 6 4 76%
Violin
1		 Treble 16 0 6 4 76%
Bass Bass 20 0 7 5 75%
Fagotto Bass 20 0 7 5 75%
 
J. S. Bach: Ich elender Mensch (BWV 48, #1)
BSG
6:54 Est. Play
Time
139 Measures
2,205Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 26 0 9 3 100%
Vc/Cb Bass 26 0 9 3 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 26 0 9 3 100%
Vc/Cb Bass 26 0 9 3 100%
Viola 21 0 8 4 92%
Violin
1		 Treble 27 0 9 4 92%
Violin
2		 Treble 19 0 6 4 92%
Soprano Treble 19 0 6 6 52%
Tenor Treble 20 0 7 5 51%
Alto Treble 19 0 6 6 48%
Bass Bass 18 0 6 6 47%
C
Trumpet		 Treble 9 0 1 5 31%
2
Oboi		 Treble 9 0 2 5 30%
 
J.S. Bach: Ich steh’ mit einem Fuß im Grabe (BWV 156, #2)
BSG
7:28 Est. Play
Time
113 Measures
1,717Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 27 0 10 6 99%
Contrabass Bass 27 0 10 6 99%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 27 0 10 6 99%
Contrabass Bass 27 0 10 6 99%
Strings Treble 20 0 7 6 97%
Tenor Treble 18 0 5 8 73%
Chorale Soprano Treble 9 0 1 4 32%
 
J. S. Bach: Siehe zu, daß deine Gottesfürcht nicht Heuchelei sei (BWV 179.1)
BSG
3:56 Est. Play
Time
117 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cto.
Real.		 Treble 21 62 9 5 99%
Continuo Bass 24 0 7 5 98%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cto.
Real.		 Treble 21 62 9 5 99%
Continuo Bass 24 0 7 5 98%
Bass Bass 20 0 7 5 91%
Tenor Treble 17 0 6 6 90%
Soprano Treble 17 0 6 5 88%
Alto Treble 17 0 6 5 82%
 
J.S. Bach: Was Gott tut...er wird mich nicht (BWV 100, #2)
BSG
3:33 Est. Play
Time
63 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 25 0 8 2 100%
Contrabass Bass 25 0 8 2 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 25 0 8 2 100%
Contrabass Bass 25 0 8 2 100%
Realization Treble 23 57 9 8 99%
Alto Treble 18 0 7 7 83%
Tenor Treble 18 0 6 6 83%
 
J. S. Bach: Wir müssen durch viel Trübsal in das Reich Gottes eingehen (BWV 146, #2)
BSG
6:31 Est. Play
Time
87 Measures
2,959Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 25 0 9 3 100%
Pedal Bass 25 0 9 3 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 25 0 9 3 100%
Pedal Bass 25 0 9 3 100%
Vcl/Cb Bass 25 0 9 3 100%
Viola 23 0 8 4 100%
Vn
1		 Treble 28 0 11 8 100%
Vn
2		 Treble 22 0 8 4 100%
Alto Treble 20 0 8 6 98%
Soprano Treble 18 0 7 7 98%
Tenor Treble 19 0 8 6 97%
Bass Bass 21 0 8 6 94%
Organ Treble 33 4 13 12 72%
 
J. S. Bach: Ein' feste Burg ist unser Gott (BWV 80/I)
BSG
7:36 Est. Play
Time
228 Measures
3,159Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 18 54 7 4 33%
Bass 26 0 10 7 96%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 18 54 7 4 33%
Bass 26 0 10 7 96%
Vcl Bass 26 3 10 7 96%
Tenor Treble 18 0 7 5 86%
Viola 18 0 7 5 86%
Alto Treble 18 0 6 6 84%
Violin
2		 Treble 18 0 6 6 84%
Soprano Treble 18 0 7 5 79%
Violin
1		 Treble 18 0 7 6 79%
Bass Bass 17 0 5 6 71%
Tromba
1		 Treble 14 0 2 6 38%
Ped Bass 10 0 2 5 33%
Trombone Bass 10 0 2 5 33%
Tromba
2,3		 Treble 11 20 1 4 22%
Timpani Bass 2 0 0 3 21%
Oboe Treble 13 16 3 5 20%
 
J.S. Bach: Sinfonia from "Geist und Seele wird verwirret", BWV 35
BSG
7:28 Est. Play
Time
132 Measures
3,176Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 29 0 12 6 100%
Organ
LH		 Bass 29 1 12 6 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 29 0 12 6 100%
Organ
LH		 Bass 29 1 12 6 100%
Violoncello Contrabasso Bass 29 0 12 6 100%
Violin
1		 Treble 30 0 12 7 86%
Organo Obbligato Treble 26 0 10 7 86%
Oboe
1		 Treble 28 0 11 7 85%
Viola 27 0 10 6 85%
Oboe
2		 Treble 25 0 10 7 83%
Violin
2		 Treble 30 0 12 7 83%
Taille 25 0 9 6 80%
 
J. S. Bach: Ist Gott versöhnt (BWV 122 #4)
BSG
4:00 Est. Play
Time
62 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 21 0 6 5 100%
Contrabass Bass 21 0 6 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 21 0 6 5 100%
Contrabass Bass 21 0 6 5 100%
Realization Treble 22 39 7 6 98%
Tenor Treble 15 0 3 5 77%
Soprano Treble 18 0 6 6 76%
Alto Treble 12 0 3 5 55%
Viola 11 0 3 4 42%
 
Arcangelo Corelli: Christmas Concerto (1690), Allegro (poss. model for JSB B Minor WTC-I prel.)
BSG
4:15 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 16 0 3 4 100%
Treble 18 0 5 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 16 0 3 4 100%
Treble 18 0 5 5 100%
Reallzation Treble 23 32 8 7 100%
Violoncello Bass 20 0 4 4 100%
 
J. S. Bach: Kyrie I (Missa H-moll, BWV 232)
BSG
10:12 Est. Play
Time
127 Measures
3,611Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
CB Bass 27 0 9 7 100%
Org
e
cto		 Bass 27 0 9 7 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
CB Bass 27 0 9 7 100%
Org
e
cto		 Bass 27 0 9 7 100%
Vcl/Cb Bass 27 0 9 7 100%
Ob.
da
Cacc.		 Treble 25 2 10 7 98%
Flute Treble 22 1 9 7 90%
Bassoon Bass 24 0 8 7 88%
Viola 26 0 10 6 88%
Violin
2		 Treble 25 0 11 7 85%
Violin
1		 Treble 24 0 8 7 84%
Tenor Treble 19 0 7 6 72%
Alto Treble 21 0 8 6 67%
Bass Bass 21 0 8 7 62%
Soprano
1		 Treble 22 0 8 6 61%
Soprano
2		 Treble 20 3 8 6 53%
Church
Organ		 Bass 10 0 4 3 2%